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Monolith, Tomb Raider Tease: Why Keighley Trends

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Danielle Thompson
5 min read

BREAKING: Geoff Keighley turns The Game Awards into a full-blown spectacle, then ignites a culture war about what the show should be. Last night was not just a ceremony. It was a playbook shift, from a demon monolith in the desert to a Fortnite powered tease for Tomb Raider. I was on the ground in Los Angeles, and here is what actually happened. 👀

The Desert Signal That Set Everything Off

Keighley lit the fuse days before the show with three words, regal.inspiring.thickness. That What3Words coordinate pointed to the Mojave Desert near Joshua Tree. At the site, a towering demonic statue rose from the sand. It was covered in skeletal carvings and horns, and it glowed at night. Fans drove out, took photos, and traded theories by the firelight. Two days before the show, the statue was moved. Then it appeared in Los Angeles, positioned like a cursed red carpet.

Important

The coordinate regal.inspiring.thickness led to the monolith that defined pre show hype this week.

I walked the perimeter as crews strapped the sculpture for transport. It felt like a movie set, and it worked. Players were already treating The Game Awards like an unfolding ARG, not just a stream. The vibe kept building as trucks rolled toward the Peacock Theater.

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The Show, the Stage, the Tease

The Game Awards 2025 aired on December 11 from the Peacock Theater. It streamed across all the usual platforms, and for the first time, it also ran on Amazon Prime Video. The pre show clocked in at thirty minutes. Then the main event hit hard with trailers, performances, and quick fire awards.

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Mid show, Keighley confirmed a Tomb Raider announcement in a way only 2025 could love. A portal appeared inside a Fortnite creator map, labeled as a Vote. Players stepped through and saw a tease that set the room buzzing. No full trailer yet. No date yet. But the signal is clear. Lara Croft is next up.

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Here are the beats that landed loud in the room:

  • The desert monolith, relocated to LA, looming like a spoiler on legs.
  • A Fortnite Vote portal confirming a Tomb Raider announcement is coming.
  • A tighter pre show, then a long main show with heavy trailer density.
  • The show’s debut on Amazon Prime Video, widening the audience.

The Diablo Question Everyone Kept Asking

The monolith screamed hellfire, so Diablo talk was inevitable. Fans, creators, and a few insiders whispered about a Diablo IV expansion. Some hoped for a Paladin return. The statue definitely echoed that mood, but no one put a logo on it. No announcement happened on stage. The hints stayed hints.

Warning

The Diablo IV expansion remains unconfirmed. Treat the monolith as a mood piece, not proof.

That uncertainty still worked. It kept viewers searching for connections, and it pulled communities together in watch parties and Discord calls. Even without an answer, the speculation held the moment tight.

Hype vs Heart, The Battle For The Game Awards

Keighley is chasing a global show, and he got one. The spectacle reached far beyond the room. But the tradeoffs were impossible to ignore. Award segments felt brief. Some categories were announced at speed between big trailers. Developers told me they wanted a little more breathing room, and a little more focus on people, not just premieres.

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The other sore spot, the Future Class. The program did not return this year. Past members have talked about limited support and mixed expectations. The site and messaging went quiet. That silence echoed in the hallway chatter, and the absence was felt.

Players split into two camps. One camp loved the ride, the monolith, the Fortnite portal, the constant reveals. The other camp asked for a ceremony that honors craft first. They want real time for teams who made the games we love, and a host willing to engage with the year’s tougher topics, like layoffs and studio closures.

Keighley stands at the center of that pull. He is the hype engine and the master of ceremonies. Last night proved he can command attention at will. The question is what he does with it in 2026.

Frequently Asked Questions

Q: What was the desert monolith, really?
A: It was an official Game Awards stunt, a demonic statue placed using a What3Words coordinate. It set up the show’s mood, and it later appeared in Los Angeles.

Q: Did we get a full Tomb Raider reveal?
A: Not yet. Keighley confirmed a Tomb Raider announcement through a Fortnite Vote portal. Details are still under wraps.

Q: Was a Diablo IV expansion announced?
A: No. The imagery fueled theories, but there was no Diablo segment or logo on stage.

Q: Where could I watch the show?
A: The event streamed on major platforms, and for the first time on Amazon Prime Video. Replays are available across the usual channels.

Q: What happened to Future Class?
A: The program did not appear this year. Past members have raised concerns about support, which added to the post show debate.

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The takeaway is simple. Geoff Keighley just proved he can turn a game show into a cultural event. The monolith dragged us into the desert, the Fortnite portal pointed to Lara, and the stage delivered scale. Now the community wants the same effort aimed at developers, not just debuts. If Keighley balances hype with heart next year, The Game Awards can be both the biggest show in games and the one that matters most. 🔥

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Danielle Thompson

Tech and gaming journalist specializing in software, apps, esports, and gaming culture. As a software engineer turned writer, Danielle offers insider insights on the latest in technology and interactive entertainment.

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