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Remembering Richard Smallwood: Gospel’s Soaring Voice

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Jasmine Turner
4 min read

Richard Smallwood, the Grammy-winning architect of modern gospel, has died at 77. We confirm his passing today. The sanctuary fell quiet, then the world of music stood to applaud. His songs will keep singing for generations.

He wrote the soundtrack of Sunday morning. He also filled theaters with the same glory and grit. Few artists ever bridged church and concert hall with such grace, power, and precision. 🎶
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A legend remembered

Smallwood was a composer, pianist, arranger, and choir leader with a rare gift. He founded the Richard Smallwood Singers, then Vision, and shaped a sound that still lifts voices everywhere. His writing fused classical lines with the heartbeat of gospel. Strings, big chords, and soaring sopranos met handclaps and call and response.

The result felt both timeless and bold. It sounded like Bach taking a seat next to the Hammond organ. This was not crossover for the sake of it. This was church music that could hold a stage, and concert music that could kneel and pray.

Important

Richard Smallwood did not chase the moment. He defined it, then taught others how to carry it.

Songs that became Sunday standards

If you have ever stood with your hands raised at the final Amen, you know the Smallwood effect. Choirs across the world sing his work, week after week, year after year. These titles ring like bells:

  • Total Praise
  • Center of My Joy
  • I Love the Lord
  • Anthem of Praise
  • Trust Me

These songs are not just hits. They are liturgy set to melody. The harmonies climb, then settle in peace. The language is simple, the feeling is eternal.

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From choir loft to concert hall

Smallwood trained as a pianist and wrote with a composer’s discipline. He loved classical form, yet he loved the groove of the pews. That tension made his charts thrilling to sing. Choir parts interlocked, then burst into a vast, unified cry. Directors built whole programs around a single Smallwood anthem.

His reach cut across scenes. Whitney Houston carried his “I Love the Lord” into a major film moment. Jazz and pop players studied his voicings. Church bands learned his dynamic swells, the rests, and those famous cadences that feel like a benediction.

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Note

When modern gospel choirs want a masterclass, they still open a Smallwood score.

The artists, the fans, the family of sound

The artists he influenced fill award shows and worship nights. From choir innovators to praise and worship leaders, many trace their blueprint to his pages. You can hear his imprint in lush intros, in tight modulations, and in the big final chorus that hugs the room.

Fans often describe a first encounter that feels the same. A quiet verse. A lyric that lands with care. Then a swell that breaks open the heart. Tears come before the last “Amen.” The effect is not hype. It is craft joined to conviction.

  • He raised the bar for choral arranging.
  • He proved sacred music could be grand and intimate.
  • He gave singers parts that feel as good as they sound.
  • He taught bands how to support, then soar.

Choirs will honor him the way choirs know best, by singing. Expect “Total Praise” to rise again and again this week, in cities and small towns, under stained glass and stage lights. 🙏

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The legacy, in full chorus

Smallwood’s trophy case glowed, but the deeper story lives in living rooms, sanctuaries, and green rooms. Musicians grew up on his charts. Pastors built entire series around his lyrics. Families made his songs part of weddings and homegoings. That is the test of a classic, it fits every season and still feels new.

Funeral details will follow from the family. For now, the assignment is simple. Listen. Let the chords work on you. Tell a younger singer why this music matters. And if you know the alto line, teach it to someone who does not.

Pro Tip

Start with “Adoration, Live in Atlanta,” then return to “Total Praise.” Play it loud. Sing it louder.

Conclusion

Richard Smallwood gave gospel music a refined spine and a thunderous heart. He wrote hymns that sound like symphonies, and symphonies that still feel like prayer. The man is gone at 77. The music is very much alive, and it is still teaching us how to lift our heads. Amen.

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Written by

Jasmine Turner

Entertainment writer and pop culture enthusiast. Jasmine covers the latest in movies, music, celebrity news, and viral trends. With a background in digital media and graphic design, she brings a creative eye to every story. Always tuned into what's next in entertainment.

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